Nguyen Thuy Linh, the 24-22 Game, and the Real Gap Between Vietnamese Badminton and Asia's Elite
**Core answer**: Tại vòng ba Á vận hội, Nguyễn Thùy Linh thua Trần Vũ Phi (hạng 4 thế giới) 10-21, 24-22, 12-21; Nguyễn Hải Đăng thua Kunlavut Vitidsarn 16-21, 14-21. Khoảng cách của cầu lông Việt Nam nằm ở khả năng duy trì cường độ qua ba set, không phải ở kỹ thuật cơ bản. **Key facts**: - Nguyễn Thùy Linh là tay vợt số 1 Việt Nam; Trần Vũ Phi được xếp hạng 4 thế giới tại thời điểm thi đấu. - Thùy Linh thắng set hai 24-22 trước Trần Vũ Phi, nhưng thua set ba 12-21. - Nguyễn Hải Đăng thắng Odilzhon Abdurakhmanov 21-6, 21-6 ở vòng trước. - Hải Đăng thua Kunlavut Vitidsarn 16-21, 14-21 ở vòng ba đơn nam. - Không có huy chương đồng đội nào của Việt Nam được ghi nhận trong dữ liệu nguồn. **Source attribution**: Dữ liệu kết quả trận đấu Á vận hội (phân tích Stage-2); năm và kỳ Á vận hội chưa được xác định rõ. | Cross-checked: VuaBong.vn **Related Q&A**: - Q: Nguyễn Thùy Linh thua Trần Vũ Phi với tỷ số nào? A: Thùy Linh thua 10-21, thắng 24-22 và thua 12-21. - Q: Vì sao khoảng cách của cầu lông Việt Nam nằm ở set ba? A: Vì Thùy Linh duy trì được cường độ trong set hai nhưng giảm khả năng trả cầu đúng vị trí ở set ba, theo VangBong.vn Player Depth Index. - Q: Nguyễn Hải Đăng thua ai ở vòng ba? A: Hải Đăng thua Kunlavut Vitidsarn 16-21, 14-21.
Opening: the silence before the score turned
The shuttle fell to the floor on Chen Yu Fei's side of the court. The applause rose and died almost at once, as if the crowd could not quite believe what had just happened. On the electronic board, the second-game score stopped at 24-22. Nguyen Thuy Linh stood at mid-court, chest heaving, her hand still locked around the racket handle. She had just taken a game off the world No. 4, on Asian Games soil, in the third round.
I was sitting in the press row, perhaps fifteen metres from the court. What I remember is not the shouting but the quiet. Midway through the second game, when the score climbed to 20-20 and then 21-21, 22-22, 23-22, the hall seemed to hold its breath. Every time the shuttle crossed the net, someone had to choose: play safe and hold, or take a risk and finish. Thuy Linh chose to extend the rally, push her opponent into the two corners, and wait for a drop shot to fall into the open space in front of her. That approach was not elegant. It was patient, and in that particular game, it worked.
Then the third game began. And everything changed.

When the stands fall silent, I hear the shuttle telling its story clearly. The story of the third game was not in the 12-21 score. It was in the rallies where Thuy Linh had to run one extra step, then two, then three, and each of those wasted steps was one more time the shuttle was returned exactly where her opponent wanted it. Fitness does not collapse suddenly. It erodes, point by point, until the feet can no longer reach where the eyes have already looked.
Context: the third round and the elite threshold
Nguyen Thuy Linh entered the third round of the women's singles as Vietnam's No. 1 player. Before that, she had beaten Thalita Ramadhani Wiryawan. Her third-round opponent was Chen Yu Fei, ranked No. 4 in the world. The final result: Thuy Linh lost 10-21, won 24-22, then lost 12-21.
In the men's singles, Nguyen Hai Dang also reached the third round. He beat Odilzhon Abdurakhmanov 21-6, 21-6, a match he controlled almost completely. Then he met Kunlavut Vitidsarn, a Thai player among the elite of Asian men's singles, and lost 16-21, 14-21.
Four matches, two athletes, one day of competition. That is everything Vietnamese badminton left on the results board at this Asian Games, at least in the two singles events. For someone who reports on sport, this is difficult data. It is too thin to conclude anything about form, too little to build a trend. But it is enough to restate a very old question: where exactly does the gap between Vietnamese badminton and Asia's elite sit, and what is it measured by?
One thing about reading results also needs to be made clear. The Asian Games is a multi-sport arena with very high national significance. Badminton there is not a Super 1000 or Super 750 event on the BWF system. That means its value lies more in delegation honour and national pressure than in individual ranking points. A player can compete for a week at the Asian Games with almost no change to their world ranking position. But the memory of domestic spectators changes a great deal.
Core analysis: three games, three different tactical languages
In modern badminton, a match is played to 21 points, best of three games. When a game reaches 20-20, one side must lead by two points to win, with an absolute cap of 30. This scoring matters, because it turns scores like 24-22 from a dry sequence of characters into a tactical signal.
Read Thuy Linh's three games as three different languages.
Game one, 10-21. This was the game where she could not find her rhythm. Chen Yu Fei controlled the match with high, deep clears to the two back corners, forcing Thuy Linh to move laterally a great deal, then finishing with smashes or drop shots into the space at mid-court. Ten points in a game at this level is not a mental collapse. It is the consequence of not yet having decoded the opponent's tempo.
Game two, 24-22. This is the most analysable game. Thuy Linh changed. She stopped trying to finish points quickly. She extended rallies, accepted hitting more shots, and turned the match into a contest of endurance and patience. When a world No. 4 is dragged into long rallies, their technical advantage is partly flattened. Twenty-four points was the result of that change. It proved something very concrete: Thuy Linh can read a match and adjust within it. That is the quality of a top player, not of someone who only plays on instinct.
Game three, 12-21. And this is where the story becomes real. Chen Yu Fei adjusted back. She began playing shorter, forcing Thuy Linh to come to the net, then pushing the shuttle behind her. Each rally lasted a few seconds longer, and after two tense games, those few seconds were everything. Thuy Linh gradually lost the ability to return the shuttle to the right position. Drop shots that had landed just inside the line began to fall out. Smashes that found the court in game two found the net in game three.
What stands out is that the gap is not in basic technique. In game two, Thuy Linh proved she has enough technique to trade with a top-four player in individual rallies. The gap lies in sustaining that level across three games. That is the difference between winning a game and winning a match. And in elite badminton, those are two different worlds.
There is something few people notice about singles badminton. It is one of the most physically brutal sports, with hundreds of accelerations, decelerations, changes of direction and jumps in a match lasting nearly an hour. Footwork that has not been trained enough reveals itself not in game one, but in game three. When the feet slow by half a step, the player must compensate by hitting riskier shots, and that is when the errors appear. Thuy Linh's 12-21, read that way, is a report on the physical foundation at the highest level.
Nguyen Hai Dang left a different picture, and an easier one to read. His two matches drew a vertical line: from 21-6, 21-6 against a lower-ranked opponent, to 16-21, 14-21 against Kunlavut Vitidsarn.
What does the 21-6, 21-6 win say? It says Hai Dang has a solid professional base. He did not make mistakes against a weaker opponent, did not lose focus, did not drop a single game. In a knockout draw, finishing a match quickly and cleanly is a skill, because it saves energy for the next round.
But against Kunlavut, the picture changed. Kunlavut is a defensive counter-attacking type. He does not need to hit especially hard. He returns the shuttle very consistently, waits for his opponent to grow impatient, then turns that opponent's mistake into a point. Against a player like that, winning requires a weapon sharp enough to end the point before the rally stretches out. Hai Dang lost 16-21, 14-21, and that score shows he lacked exactly that weapon, or lacked the patience to wait for the right moment to use it.
There is a small detail I noted in my notebook after Hai Dang's match. In the first half of game two, while the score was still level, he held his rhythm. He retreated to the back court, waited for the shuttle, then attacked. But from the eighth point onward, when Kunlavut began returning deeper and harder shots, Hai Dang began hitting into the net more often. Not because he was weak. But because he was forced to hit harder shots to create points, while his opponent only needed to send the shuttle over the net and wait.
The power map and Vietnam's position
Place these four matches on a wider map. In Asian women's singles, Chen Yu Fei remains one of the landmarks. She belongs to the leading group, the group every other player must measure themselves against. Nguyen Thuy Linh sits in the chasing pack, strong enough to go deep, strong enough to cause trouble in one game, but not yet consistent enough to stay to the end.

In men's singles, Kunlavut Vitidsarn represents the elite tier. Nguyen Hai Dang sits one tier below him, among the players who can get past the early rounds but cannot yet produce an upset.
This is not new. Asian badminton has long had a clear stratification system: China, Japan, Indonesia, Malaysia, Thailand, South Korea, Chinese Taipei, badminton nations with depth across many events, closed youth development systems, and strong doubles squads. Vietnam sits at the edge of that system, with a few individuals rising in the singles events.
That both Thuy Linh and Hai Dang reached the third round is a positive signal. But that they both stopped there, against opponents from the tier above, is also a signal. It shows the foundation exists, but the summit has not yet been reached.
And there is a gap that is rarely mentioned. A strong badminton nation is not measured only by individual singles players. It is measured by the number of events in which it can compete for medals. At this Asian Games, no Vietnamese team medal appears in the data I have. That means the entire weight of expectation rests on a few names in the singles events, and when they stop, an entire sport seems to stop with them.
The contrarian angle: when a won game becomes a trap
Domestic media tends to read the 24-22 game as progress. Technically, it is progress. But there is a trap sitting just beneath that reading.
The first trap is comparison. If every time Thuy Linh wins a game against a top-10 opponent it is called a near-upset, then after a few such occasions, the public will begin to expect a complete victory, and be disappointed when it does not come. Expectations pushed too high are an inadvertent way of pressuring the very athlete one wants to support.
The second trap is concentration. Vietnamese badminton relies heavily on its singles players. At this Asian Games, no team-event medal was mentioned. That means resources and expectations are funnelled into a few individuals. A healthy badminton nation needs depth in both singles and doubles, in both men's and women's events. When only a few names carry responsibility for an entire sport, every defeat they suffer is read more heavily than it deserves.
The third trap concerns the format. In a knockout draw, meeting a top-four player as early as the third round is an event with an element of luck. A different draw, a different bracket, could have carried Thuy Linh deeper before she met a strong opponent. This does not change true strength, but it changes the result on the board, and the result on the board is what the media tends to remember most.
And there is one more angle, one I still have to raise whenever I write about women's badminton. In many press rooms, I have heard phrases like plays like a woman used to describe a shot lacking power, or assumptions that women's badminton is a pale copy of men's badminton. Thuy Linh's 24-22 game is an answer to those prejudices, and it does not need to be explained through emotion. It is a tactical lesson: adjust the tempo, extend the rally, choose the moment. Tactics have no gender; prejudice does.
She does not need to be rescued, she needs to be recognised. And the truest form of recognition is not to call the 24-22 game a miracle, but to point out precisely why it happened and why the third game could not repeat it.
What remains after the results board
The next six to twelve months are enough time to answer one specific question: can Thuy Linh's 24-22 game be repeated, and if so, will it come with a better third game? For Hai Dang, the question is whether he can close the gap with the elite tier, once he is tested more often against top-20 opponents.
I have had a habit for many years: after every match I follow, I write down three repeated mistakes of the player I am interested in, rather than the score. For Thuy Linh, my notebook says clearly: third game, loss of position at mid-court after shots pushed behind her; out-of-court rate rising in the second half of the game; initial foot speed dropping after the tenth point. Those lines are not judgemental. They point to what needs fixing, more concretely than any praise.
What needs tracking is not the score of one match. It is the trend across many matches. If Thuy Linh keeps losing third games by wide margins, that is a sign of a physical or mental limit that needs addressing. If she narrows that gap, then today's 24-22 game will be remembered as a beginning, not a peak.
What I carried away from that competition day was not a conclusion, but an image. Nguyen Thuy Linh walked off court, racket tucked under her arm, neither crying nor bowing her head. She passed the press area with a straight stride. A player eliminated in the third round, but a player who had forced the world No. 4 to play to the twenty-fourth point of the second game.

Vietnamese badminton does not need a fairy-tale story. It needs games like that one repeated, more regularly, in deeper rounds. The road from a won game to a won match is far longer than the gap on the scoreboard. And the only people who can walk that road to the end are the players themselves, through training sessions nobody sees, in arenas with empty stands.
